Dir: Arthur Dreifuss
Cast: Patrick McGoohan
My only previous experience with Patrick McGoohan was through a
well-worn VHS copy (taped off TV in two parts) of the fantastic
Pryor/Wilder vehicle Silver Streak. My best friend Mark Sampson and I watched it at least
once a week, without fail, from age 8-11. We could recite the movie by
heart, and often did, even the blurred out curses, making it suitable
for TV broadcast and safe for our young ears. We always got a kick out
of McGoohan's Roger Devereau (I didn't even have to look that up), and
looking back I realize what a restrained and wonderfully sinister
performance he gave in the film. McGoohan's character was not a
blustery supervillian, full of sound and fury, but instead displayed a
restrained and calculated criminality.
It is with that as my sole reference of McGoohan that I went into his much earlier and different work in The Quare Fellow.
Based on a play by Irish playwright Brendan Behan, the film is a
superb exercise in realist acting and cinematic humanism. Unlike many
theatre to screen adaptations, The Quare Fellow does not suffer from
stagey direction, and has just enough in the way of sets and locations
to keep it real, but not too much so as to distract from the central
premise. McGoohan plays Thomas Crimmin, a newly appointed guard or
"screw" at an Irish prison. We see him go through a major change in the
film, from thinking justice is black and white to realizing that there
exists a far greater grey zone than he ever believed. Throughout, we
see McGoohan struggling to reconcile his theoretical ideas of justice
with the very real lives he sees wasting away in front of him.
film runs an economical 85 minutes and is very much worth watching for
both the involving story and the excellent performances from not only
McGoohan but also Walter Macken, Sylvia Sims, and a group of Irish
actors who do a wonderful job portraying the inmates with a fatalistic
black humour necessary to create a sense of realistic incarceration.
The recently released Kino DVD is an excellent transfer, though the
sound mix is a little raw. For a film that is relatively obscure and nearly 50 years old, it's a flaw that is easy to overlook. There
are scant, though nice, extras, including a short doc called "Behan's